The power of the aulos and its effects on the soul were so emblematic for the Greeks, that they also made this instrument and its sounds into a metaphor of persuasion, as it happens for instance in some Platonic dialogues. On the other side, the aulos was also a „perturbing‟ instrument, as it appears for instance in tragedy. Indeed it seems to work on the fears (phobos) and insecurities of tragic characters, and leads sometimes to the conclusive developments of the theatrical performance. As far as the audience in the theatre is concerned, the aulos instead may have had a role in the development of catharsis, since the audience would be able to connect its sounds with experiences of everyday life, especially with the Dionysiac cathartic rites. By means of catharsis, and because of its ethical implications, tragedy – with its utterly public context and role – seems then to have performed a most meaningful „political‟ effect on the anxieties of the very large theatre audience.
|Numero di pagine||11|
|Stato di pubblicazione||Published - 2008|