Abstract
The article explores the "otherness" of Shakespeare in some films of the nouvelle vague of the early sixties, and argues that this otherness is bound up with processes of cultural translation involving different kinds of movements (i.e., across cultures, languages as well as media boundaries
Lingua originale | English |
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pagine (da-a) | 94-109 |
Numero di pagine | 16 |
Rivista | Shakespeare Studies |
Volume | 46 |
Stato di pubblicazione | Published - 2018 |
All Science Journal Classification (ASJC) codes
- ???subjectarea.asjc.1200.1213???
- ???subjectarea.asjc.1200.1208???
- ???subjectarea.asjc.3300.3316???