Abstract
The national identity of Slavic Mitteleuropa is examined by means of a new approach to different cultural paradigms, namely the historical events out of which the popular canon in music flourished at the end of eighteenth-century Poland and in nineteenth-century Bohemia, Slovenia and Croatia. This phenomenon must be analysed within a framework in which cosmopolitism and nationalism co-existed in a mix of functional and autonomous music, superseding the boundaries of subordination, adaptation and autonomy.
Lingua originale | Italian |
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Titolo della pubblicazione ospite | Le Cadeau du village : musiche e studi per Amalia Collisani |
Pagine | 393-416 |
Numero di pagine | 24 |
Stato di pubblicazione | Published - 2016 |