The national identity of Slavic Mitteleuropa is examined by means of a new approach to different cultural paradigms, namely the historical events out of which the popular canon in music flourished at the end of eighteenth-century Poland and in nineteenth-century Bohemia, Slovenia and Croatia. This phenomenon must be analysed within a framework in which cosmopolitism and nationalism co-existed in a mix of functional and autonomous music, superseding the boundaries of subordination, adaptation and autonomy.
|Titolo della pubblicazione ospite||Le Cadeau du village : musiche e studi per Amalia Collisani|
|Numero di pagine||24|
|Stato di pubblicazione||Published - 2016|