Abstract
The Origin Seen as Common MatterTwentieth-century theories of form and organic form show a hard ten- sion between the idea of the origin as appropriative dynamics – in which the dynamic element refers to a metaphysics of force, and the form-centring is just defined as appropriation – and the idea of the origin as a ‘common matter’. The essay explains these two theoretical options discussing these opposite polarities in biology and analysing some cinematic examples taken from Ejzenštejn’s thought on Disney’s Silly Symphonies.
Lingua originale | Italian |
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pagine (da-a) | 127-142 |
Numero di pagine | 16 |
Rivista | FATA MORGANA |
Volume | 16 |
Stato di pubblicazione | Published - 2012 |