Almodóvar's Los abrazos rotos explores the possibilities of cinema to represent the holy contents of the myth. According to two modes of its expression (reflection and the unseen), we can see the implementation of a blunt myth. The myth is attenuated in its produced or spectacular content, with a focus on the symbol and on minesis. The myth reveals but it does not exhibit itself. It seems that the transcendent could be represented using the irony of those who proves the innuendo. The myth is given through the blindness which denies mimesis and shows its more peculiar contents in a blunted way.
|Numero di pagine||5|
|Stato di pubblicazione||Published - 2016|