Abstract
This article examines some aspects of the figurative interests of Fyodor Mikhailovich Dostoevsky, who is known as an attentive observer of works of art, with the aim of identifying the ways in which the images were appropriated by the author
Lingua originale | Italian |
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pagine (da-a) | 1-25 |
Numero di pagine | 25 |
Rivista | KAIAK |
Volume | 2016 |
Stato di pubblicazione | Published - 2015 |