This article examines some aspects of the figurative interests of Fyodor Mikhailovich Dostoevsky, who is known as an attentive observer of works of art, with the aim of identifying the ways in which the images were appropriated by the author
| Lingua originale | Italian |
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| pagine (da-a) | 1-25 |
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| Numero di pagine | 25 |
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| Rivista | KAIAK |
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| Volume | 2016 |
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| Stato di pubblicazione | Published - 2015 |
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@article{9a88865d458344bf9df250bf9604a2e8,
title = "Icona vs quadro. Il dualismo visuale dell'ekphrasis dostoevskiana",
abstract = "This article examines some aspects of the figurative interests of Fyodor Mikhailovich Dostoevsky, who is known as an attentive observer of works of art, with the aim of identifying the ways in which the images were appropriated by the author",
author = "Antonina Nocera",
year = "2015",
language = "Italian",
volume = "2016",
pages = "1--25",
journal = "KAIAK",
issn = "2283-5539",
}
TY - JOUR
T1 - Icona vs quadro. Il dualismo visuale dell'ekphrasis dostoevskiana
AU - Nocera, Antonina
PY - 2015
Y1 - 2015
N2 - This article examines some aspects of the figurative interests of Fyodor Mikhailovich Dostoevsky, who is known as an attentive observer of works of art, with the aim of identifying the ways in which the images were appropriated by the author
AB - This article examines some aspects of the figurative interests of Fyodor Mikhailovich Dostoevsky, who is known as an attentive observer of works of art, with the aim of identifying the ways in which the images were appropriated by the author
UR - http://hdl.handle.net/10447/103441
UR - http://www.kaiak-pj.it/images/PDF/rivista/kaiak-2-apocalissi/Nocera.pdf
M3 - Article
VL - 2016
SP - 1
EP - 25
JO - KAIAK
JF - KAIAK
SN - 2283-5539
ER -