Abstract
According to the models of the so-called "Urban Musicology", the aim of this paper is to summarize the musical activity promoted by monastic churches between the Renaissance and the Baroque – in particular by the Jesuits – and, by examining data, to reconstruct the musical employees who probably existed in Palermo institutions, financial support for liturgical music and the multiple connections between music, power and social environment.
Lingua originale | English |
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Pagine | 1-12 |
Numero di pagine | 12 |
Stato di pubblicazione | Published - 2010 |