Embodied responses to musical experience detected by human bio-feedback brain features in a geminoid augmented architecture

Antonio Chella, Carmelo Cali', Rosario Sorbello, Marcello Emanuele Giardina, Salvatore Tramonte, Shuichi Nishio, Hiroshi Ishiguro, Antonio Chella

Risultato della ricerca: Article

Abstract

This paper presents the conceptual framework for a study of musical experience and the associated architecture centred on Human-Humanoid Interaction (HHI). On the grounds of the theoretical and experimental literature on the biological foundation of music, the grammar of music perception and the perception and feeling of emotions in music hearing, we argue that music cognition is specific and that it is realized by a cognitive capacity for music that consists of conceptual and affective constituents. We discuss the relationship between such constituents that enables understanding, that is extracting meaning from music at the different levels of the organization of sounds that are felt as bearers of affects and emotions. To account for the way such cognitive mechanisms are realized in music hearing and extended to movements and gestures we bring in the construct of tensions and of music experience as a cognitive frame. Finally, we describe the principled approach to the design and the architecture of a BCI-controlled robotic system that can be employed to map and specify the constituents of the cognitive capacity for music as well as to simulate their contribution to music meaning understanding in the context of music experience by displaying it through the Geminoid robot movements.
Lingua originaleEnglish
pagine (da-a)19-26
Numero di pagine8
RivistaBiologically Inspired Cognitive Architectures
Stato di pubblicazionePublished - 2018

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Biofeedback
Audition
Music
Brain
Robotics
Acoustic waves
Robots
Emotions
Hearing
Gestures
Cognition

All Science Journal Classification (ASJC) codes

  • Experimental and Cognitive Psychology
  • Artificial Intelligence
  • Cognitive Neuroscience

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title = "Embodied responses to musical experience detected by human bio-feedback brain features in a geminoid augmented architecture",
abstract = "This paper presents the conceptual framework for a study of musical experience and the associated architecture centred on Human-Humanoid Interaction (HHI). On the grounds of the theoretical and experimental literature on the biological foundation of music, the grammar of music perception and the perception and feeling of emotions in music hearing, we argue that music cognition is specific and that it is realized by a cognitive capacity for music that consists of conceptual and affective constituents. We discuss the relationship between such constituents that enables understanding, that is extracting meaning from music at the different levels of the organization of sounds that are felt as bearers of affects and emotions. To account for the way such cognitive mechanisms are realized in music hearing and extended to movements and gestures we bring in the construct of tensions and of music experience as a cognitive frame. Finally, we describe the principled approach to the design and the architecture of a BCI-controlled robotic system that can be employed to map and specify the constituents of the cognitive capacity for music as well as to simulate their contribution to music meaning understanding in the context of music experience by displaying it through the Geminoid robot movements.",
author = "Antonio Chella and Carmelo Cali' and Rosario Sorbello and Giardina, {Marcello Emanuele} and Salvatore Tramonte and Shuichi Nishio and Hiroshi Ishiguro and Antonio Chella",
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AU - Chella, Antonio

AU - Cali', Carmelo

AU - Sorbello, Rosario

AU - Giardina, Marcello Emanuele

AU - Tramonte, Salvatore

AU - Nishio, Shuichi

AU - Ishiguro, Hiroshi

AU - Chella, Antonio

PY - 2018

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AB - This paper presents the conceptual framework for a study of musical experience and the associated architecture centred on Human-Humanoid Interaction (HHI). On the grounds of the theoretical and experimental literature on the biological foundation of music, the grammar of music perception and the perception and feeling of emotions in music hearing, we argue that music cognition is specific and that it is realized by a cognitive capacity for music that consists of conceptual and affective constituents. We discuss the relationship between such constituents that enables understanding, that is extracting meaning from music at the different levels of the organization of sounds that are felt as bearers of affects and emotions. To account for the way such cognitive mechanisms are realized in music hearing and extended to movements and gestures we bring in the construct of tensions and of music experience as a cognitive frame. Finally, we describe the principled approach to the design and the architecture of a BCI-controlled robotic system that can be employed to map and specify the constituents of the cognitive capacity for music as well as to simulate their contribution to music meaning understanding in the context of music experience by displaying it through the Geminoid robot movements.

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JO - Biologically Inspired Cognitive Architectures

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