Abstract
Giovanni Paisiello's "Nina o sia La pazza per amore" was one of the greates operatic successes of the late Eighteenth Century. The article studies its circulation in the Venetian area, as well as the reactions it produced as documented in theorical writings and newspapers. Moreover, the model of mixed dramaturgy exemplified by "Nina", characterized by the alternation of spoken dialogues and musical numbers, influenced some Italian authors. "Belisa ossia La fedeltà riconosciuta" by Alessandro Pepoli and the German composer Peter von Winter is one of the most interesting results of this experimentation, and can be considered as a sort of new "Nina" for the Venetian stage.
| Lingua originale | Italian |
|---|---|
| pagine (da-a) | 119-146 |
| Numero di pagine | 28 |
| Rivista | MUSICALIA |
| Stato di pubblicazione | Published - 2008 |