Abstract
The article illustrates the ways in which the productive theoretical conflation of feminist critique and (post)colonial studies makes it possible to demonstrate that the implications of the category of gender and 'race' allow Erna Brodber's Myal (1988), Bernardine Evaristo's Lara (1997) and Arundhati Roy's The God of Small Things (1997) to contribute to imaginatively reshaping the postcolonial nation.
Lingua originale | Italian |
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pagine (da-a) | 133-154 |
Numero di pagine | 22 |
Rivista | MEROPE |
Volume | XVII |
Stato di pubblicazione | Published - 2006 |
Pubblicato esternamente | Sì |