TY - CHAP
T1 - Canova divulgato tra «Können» e «Wollen» nell’opera di Alfred Gotthold Meyer
AU - Auf Der Heyde, Carl Alexander
PY - 2014
Y1 - 2014
N2 - This article is a critical introduction to the Italian translation of Meyer's Canova monograph (1898), it focuses on the editorial process and on the use of photography during this early stage of popular art history. Further consideration is given to Meyer's critical point of view in the context of the German fin-de-siècle art discourse (Burckhardt, Springer, Bode, Wölfflin, Hildebrand).
AB - This article is a critical introduction to the Italian translation of Meyer's Canova monograph (1898), it focuses on the editorial process and on the use of photography during this early stage of popular art history. Further consideration is given to Meyer's critical point of view in the context of the German fin-de-siècle art discourse (Burckhardt, Springer, Bode, Wölfflin, Hildebrand).
UR - http://hdl.handle.net/10447/124461
M3 - Chapter
SN - 978-88-902885-6-2
T3 - I TESTI / ISTITUTO DI RICERCA PER GLI STUDI SU CANOVA E IL NEOCLASSICISMO
SP - 7
EP - 35
BT - Alfred Gotthold Meyer, Canova (Leipzig-Bielefeld 1898), introduzione e traduzione in italiano a cura di Alexander Auf der Heyde, Bassano del Grappa: Istituto internazionale di ricerca per gli studi su Canova e il Neoclassicismo, 2014
ER -