Bild unserer irren Anwesenheit /auf der Oberfläche der Erde.L’immagine come storia naturale del presente nella poetica di W. G. Sebald

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Abstract

The poem Nach der Natur by W. G. Sebald, real germinal place of its author’s subsequent literary production, is a salient moment of confrontation for today's philosophical gaze; our historical time and our own humanity are configured as “natural history” (Benjamin), in a compositional game in which the present time acquires the character of a timeless distance projecting it on the background of a mournful nature, entrusting to the roughness of the poetic material and to its conceptual weaving the task of an unprecedented presentification of some layers of reality of rare density.
Lingua originaleItalian
pagine (da-a)389-409
Numero di pagine21
RivistaBOLLETTINO FILOSOFICO
Volume32
Stato di pubblicazionePublished - 2017

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title = "Bild unserer irren Anwesenheit /auf der Oberfl{\"a}che der Erde.L’immagine come storia naturale del presente nella poetica di W. G. Sebald",
abstract = "The poem Nach der Natur by W. G. Sebald, real germinal place of its author’s subsequent literary production, is a salient moment of confrontation for today's philosophical gaze; our historical time and our own humanity are configured as “natural history” (Benjamin), in a compositional game in which the present time acquires the character of a timeless distance projecting it on the background of a mournful nature, entrusting to the roughness of the poetic material and to its conceptual weaving the task of an unprecedented presentification of some layers of reality of rare density.",
author = "Salvatore Tedesco",
year = "2017",
language = "Italian",
volume = "32",
pages = "389--409",
journal = "BOLLETTINO FILOSOFICO",
issn = "1593-7178",

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AB - The poem Nach der Natur by W. G. Sebald, real germinal place of its author’s subsequent literary production, is a salient moment of confrontation for today's philosophical gaze; our historical time and our own humanity are configured as “natural history” (Benjamin), in a compositional game in which the present time acquires the character of a timeless distance projecting it on the background of a mournful nature, entrusting to the roughness of the poetic material and to its conceptual weaving the task of an unprecedented presentification of some layers of reality of rare density.

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JO - BOLLETTINO FILOSOFICO

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