Palazzo Abatellis, completed at the end of the 15th century, underwent profound alterations following its transformation into a convent. The visitor is faced with an extraordinary planning schedule, composed between 1490 and 1953, from the beginning of construction by Matteo Carnilivari to the conclusion of the works of the National Gallery of Sicily based on a design by Carlo Scarpa. Is all this to be safeguarded or perhaps it is necessary to make “adjustments” for temporary and transitory needs?
|Numero di pagine||12|
|Rivista||EDA. ESEMPI DI ARCHITETTURA|
|Stato di pubblicazione||Published - 2021|