Video Arte: Storia Fruizione Musealizzazione

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[automatically translated] "Video Art: History Fruition Musealization" is proposed as a framework for further theoretical elaborations that accompany the birth of video art, paying particular attention to issues of use and the museum display of video works. The essay traces the evolution of the phenomenon since its revolutionary appearance through the multiple contaminations with other genres until reaching the current status as one of the most significant sectors of artistic research at the international level. The essay examines the research of great artists of the caliber of Bill Viola, Nam June Paik, Matthew Barney, Pipilotti Rist, Fabrizio Plessi, Studio Azzurro; traces the pioneer activities as Gerry Schum, Maurizio Calvesi, Renato Barilli, Maria Gloria Bicocchi, Lola Bonora, Luciano Giaccari and Paul Cardazzo able to contribute to the knowledge and dissemination of video works today entered fully into the history of art as masterpieces, and has a mapping of major institutions such as the MOMA in New York, the Centre Pompidou in Paris, the Zentrum für Kunst und Medientechnologie Karlsruhe, Ars Electronica in Linz, the MAXXI in Rome, active in the field of video art. Museums but not only, now increasingly video works find space in urban contexts and sacred places. Subject of the book is the historical overview of the major exhibitions dedicated to electronic art and evolution of video art in relation to the relationship does not always easy with the cultural institutions as well as the identification of approaches by galleries, museums, foundations ,
Original languageItalian
Number of pages68
ISBN (Print)978-88-90752-20-9
Publication statusPublished - 2012

Publication series

NameMuseum. 3 Collana di Studi a cura di Caterina Micalizzi

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