The recent decision to convert the Benedictine Dormitory in Monreale into an exhibition site offers the opportunity to enjoy the whole monumental complex where the wonderful cloister is the core attraction. It is on this site that the Norman Cathedral stands, brightly decorated with golden mosaics. The new exhibition has gathered together the artworks from the ruined abbey of Santa Maria del Bosco in Calatamauro and added them to the artefacts already exhibited at the Diocesan Museum. They include marble gravestones from the 16th-17th century church and those dating to the 18th century; one stone is in polychrome marble of the family of the canons, Candes and Donato; another was used for the burial of the monks from the period of the Olivetan refoundation, characterized by the Order's coat of arms and attributed to Girolamo Musca. There are also majolica tiles from the chapels in cornu evangelij (left side of the altar) adorned with large vegetal-shaped decorations, provided by Palermitan manufacturers in the mid-eighteenth century. They are found next to the remnants of the majolica tiles still in situ, executed in 1762 by the potters from Burgio, in Sicily. Rosario Rosso (also Russo) and Giuseppe Virgadamo. Also commissioned after the refoundation of the holy temple are the four artworks by the painter Ippolito Ferrante, three of which, Sacrificio di Isacco, Melchisedec and Giale e Sisar, are on exhibition in the prestigious museum. Alongside these artworks are noteworthy textile artefacts made between the second half of the 16th and second half of the 18th centuries some of which are linked to the munificent figures of archbishops such as Ludovico II Torres and Francesco Testa.
|Number of pages||18|
|Journal||Conservation Science in Cultural Heritage|
|Publication status||Published - 2017|
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