L’etica e le forme, l’anima e il corpo: i linguaggi del Caravaggio

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[automatically translated] The article deals with the reading of the work of Michelangelo Merisi da Caravaggio (Milan 1571 - Porto Ercole 1610), to analyze the artistic language over Nature as only reference, in order to emphasize that the known d ' "immediacy characters" and "truth" of his painting sprang from a synthesis between the direct feedback on the natural, the wording existential and conceptual elaboration.
Original languageItalian
Pages (from-to)21-22
Number of pages2
Publication statusPublished - 2014

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