Abstract
[automatically translated] The article deals with the reading of the work of Michelangelo Merisi da Caravaggio (Milan 1571 - Porto Ercole 1610), to analyze the artistic language over Nature as only reference, in order to emphasize that the known d ' "immediacy characters" and "truth" of his painting sprang from a synthesis between the direct feedback on the natural, the wording existential and conceptual elaboration.
| Original language | Italian |
|---|---|
| Pages (from-to) | 21-22 |
| Number of pages | 2 |
| Journal | IN FOLIO |
| Volume | 31 |
| Publication status | Published - 2014 |