La vocazione filmica di Gabriele D'Annunzio

[automatically translated] From the novel The Fire's essay highlights the vocation film by Gabriele d'Annunzio understood as visual technique applied to the theater in its various forms: from the predilection for "close-ups" to the joints in the bottom of the scene, the internal report / outside the "truccherie" borrowed from the practices in place on soundstages, without neglecting the care of luminotecnici effects, also in reference to the artistic relationship with his friend Mariano Fortuny. And all this despite the refusal of the Poet to entrust his work in the cinema, which he considered as a fledgling art.