“La peinture moderne, c’est-à-dire le cinématographe”. La forma dell’immagine e il posto dello spettatore, Godard con Foucault a partire dal Manet

Research output: Contribution to journalArticlepeer-review

Abstract

[automatically translated] Foucault's analysis of the essay on Manet
Original languageItalian
Pages (from-to)265-277
Number of pages13
JournalPALINSESTI
Volume4
Publication statusPublished - 2016

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