La drammaturgia degli emarginati nella recente scena siciliana

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[automatically translated] This article explores the introduction of Chekhov's plays to Italy through emigre circles in the first decades of the twentieth century, and traces how they were appropriated to suit the ideological exigencies of the time During the fascist period. It concludes with poservations about Luchino Visconti's Celebrated productions of the 1950s, Which stressed the idea That Chekhov was first and foremost a political writer, and suggests how this Particular view of the dramatist evolved in the early 1960s as the theater once again reflected social attitudes and values.
Original languageItalian
Title of host publicationLingua e Lingue nel Teatro Italiano
Publication statusPublished - 2007

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