The question of a dominant model of vision will be at stake in this essay, which will try to provoke other questions on the ways in which non-dominant models of vision have tried to spread out in a particularly revolutionary and dramatic period. This century is the 17th and the non-dominant model of vision is that of the female gaze. Particularly the works of three English writers – Margaret Cavendish, Aphra Behn, Eliza Haywood – and their commitment with the matter of gaze will be analysed.
|Title of host publication||Archaeologies of Visual Culture. Gazes, Optical devices and Images from 17th to 20th Century Literature|
|Number of pages||99|
|Publication status||Published - 2016|