EL REGISTRO GRÁFICO EN OBRAS DE VALOR PATRIMONIAL. ENTRE EL DIBUJO SENSIBLE Y LAS NUEVAS TECNOLOGÍAS GRÁFICAS

Research output: Contribution to conferenceOtherpeer-review

Abstract

[automatically translated] While the current conception of heritage is relatively recent, beyond the historical thickness that supports it, consciousness referred to the maintenance of the vestiges of the past is ancient. Egypt and actions to safeguard cultural property were made. From there the material and immaterial traces of cultures had an eventful life marked by paradigmatic events in the history of mankind. Similarly, registration of buildings and urban agglomerations dates back to the Mesopotamian and Egyptian cultures of the second millennium BC. This strong relationship between man and the built environment, either for expression or communication -oriented registration, or diffusion-intervention, it uses drawing as language. Thus, the graphical representation of reality, He has played a key role in the process of evolution of the human psyche, due to the lower number of logical passages on other languages. It is appropriate then to consider how mediate, in that logical passage, technological innovations applied to the registry, and as articulate with the graphic tradition. The sensitive drawing is understood as a means of reading the architectural organism under the discipline survey. Emerge from the experiences and relationships with the work and its environment. It informs us and allows us to know, understand and document. Register deterioration, ponder, propose future interventions, intellectually reconstruct missing parts, and imagine and visualize the finished original state or fact. This subjective operation collects all data from the architectural reality that interest the author. Variables such as the spatial aspect, materiality, language, compositional principles, degradation, including theoretical and conceptual author principles are taken into account and reflected through quick sketches and drawings. Freedom framed graphic geometric methods in mathematical representation. To these qualities of architectural drawing restauro specificity, with its theory and praxis, the dialectic adds emphasizing work-artist-graphic expression. In this context the development of increasingly sophisticated tools allows the application of non-invasive survey techniques that deepen understanding of building reliable. Thought and graphic survey and have new tools that are located between the mind and the hand of executing the drawing. This constant development of technologies applied to the registration of works of equity, proposes a permanent redefinition of the objectives and their relationship with the sensitive drawing. Given the role that assisted drawing is taking the necessary time to reflect on the role that the traditional drawing, its relationship with other graphical methods and complementarity with them maintained. Discuss ideas about the degree of autonomy of drawing from the already materialized work and links with the conceptions of the artist. Raise educational and professional challenges that this reality entails.
Original languageSpanish
Pages607-613
Number of pages7
Publication statusPublished - 2012

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