Dalla creazione individuale al sistema della reviviscenza

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[automatically translated] Sergej Alekseev Konstantin Stanislavsky marks the beginning of the great tradition of the twentieth century directed. His royal emerge from an acting system based sull'immedesimazione and emotional memory. But in the nineteenth-century tradition of the great Italian actor there was a drama that, although might seem generated by an individual creation, actually want to keep within the rules of a coded form of special voices and gestures, namely that the dramatic-Italian method.
Original languageItalian
Pages (from-to)7-10
Number of pages4
Publication statusPublished - 2015

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