Contemplazione dell’altro. La parola come sguardo estetico.

[automatically translated] The argument developed in this paper is that there is a link between the act of speech and an act so to speak morale. This link would find a foundation nell'accezione specific morality that binds to the contemplation of art. What makes specific aesthetic enjoyment is, as Emilio Garroni, unselfish interest that does not aim at the exploitation of the observed object. You can find an analogy between this type of "appropriation" of the world through the senses and the one put in place by the language in every common speech act?