From the beginning of the XX century, Camillo Boito was considered the "inspirer of the modern restoration theory" or the "creator of the intermediate position between the ones of Viollet-le-Duc and John Ruskin". This contribution aims to provide new elements to frame Boito's real contribution to the definition of restoration as a discipline more clearly.
|Number of pages||6|
|Journal||QUADERNI DELL’ISTITUTO DI STORIA DELL’ARCHITETTURA|
|Publication status||Published - 2017|